Explore the biases of the break-up with The Disappearance of Eleanor Rigby: Him and Her

Categories:  Film    Arts & Culture/Entertainment    Events
Wednesday, February 4th, 2015 at 7:00 AM
Explore the biases of the break-up with The Disappearance of Eleanor Rigby: Him and Her by Dan Schank

Relationships – especially romantic ones – can turn us into unreliable narrators. Intimacy often comes at the expense of objectivity, and an accurate assessment of a rough break-up is typically tough to muster.

If you’ve ever wasted months obsessing over the details of a doomed love affair, director Ned Benson feels your pain. To offer a more complex glance at the contours of a relationship, he split his recent film, The Disappearance of Eleanor Rigby, into two feature-length interpretations of the same narrative.

As you might guess from the masculine pronoun in the title, The Disappearance of Eleanor Rigby: Him approaches the story of a young couple reckoning with the loss of a child from the perspective of the father. Her repeats the same narrative from the woman’s point of view, making it clear that the highly personal nature of the grieving process can undermine the bonds that healthy relationships are based on. On Feb. 11, the Erie Art Museum will invite you to draw your own conclusions as both films are screened together

For cinephiles, this obsession with contradictory narratives is known as “the Rashomon effect” – named after Akira Kurosawa’s multi-perspectival 1950 murder mystery. Last summer, director David Fincher used the technique to tear away at the artifice of another doomed romance in Gone Girl.

Rigby tells a less cynical story. The focus here is on the inability to maintain emotional bonds in the wake of a tragedy. Expect something similar to Michel Gondry’s 2004 cult classic, Eternal Sunshine of the Spotless Mind, where warmth and playfulness are prioritized.

If spending over three hours analyzing a doomed romance sounds exasperating, the strong cast might convince you it’s worthwhile. The always-reliable Jessica Chastain plays the title character, whose father is a Fab Four super-fan (hence the movie’s name). Chastain brought steely swagger to Zero Dark Thirty as she hunted Bin Laden, but films like Take Shelter show that she’s also capable of great kindness.

You’ll recognize her male counterpart, James McAvoy, as the younger, groovier Professor X from the X-Men franchise, but he’s also terrific in less escapist settings (like the BBC series State of Play, for example). The supporting cast is equally strong, featuring ex-SNL chameleon Bill Hader as McAvoy’s buddy and art-house icon Isabelle Huppert as Chastain’s mother.

Rigby kicks off the Spring Series for FILM at the Erie Art Museum, so drop by early (around 6 p.m.) to see what’s in store for the coming weeks. 

Doors at 6 p.m., Film at 7 p.m. // Erie Art Museum, 20 E. Fifthh St. // erieartmuseum.org/events/film.html

Erie Reader: Vol. 7, No. 15
Now Available — Pick It Up Today

CURRENT

The endangered Piping Plover makes its way back to Erie after a 50 year absence.

Erie still getting its Sister Act together

Dispatches from an American in Cuba 

Award-winning woodcarver, Fredy Mallqui connects history and passion

 

Familial vibe keeps annual fest alive

IN THIS ISSUE

Erie still getting its Sister Act together

Dispatches from an American in Cuba 

Award-winning woodcarver, Fredy Mallqui connects history and passion

 

Familial vibe keeps annual fest alive

The chance to see Galactic Duo's Tony Grey and Ian Maciak should not be missed.

The Playhouse has planned a weekend of festivities to celebrate their 100th anniversary. 

Fleet Foxes hasn’t really skipped a beat since their first record in 2011.

The Erie Reader's list of top 10 favorite releases from the year so far.

Thick Skin

The tragedy of Trump’s decisions