The Music of Danny Elfman

Categories:  Events    Music
Wednesday, October 26th, 2016 at 1:15 PM
The Music of Danny Elfman by Matt Swanseger
Helgi Halldorsson

Saturday, Oct. 29

Danny Elfman is to Tim Burton as Igor is to Dr. Frankenstein – they complement one another perfectly, churning out successful experiments from their dark spire in the Hollywood Hills for 30 years. The science of pairing Elfman’s whimsical, devious musical imagination with Burton’s whimsical, devious directorial imagination has never really been that weird at all – it’s just common sense. You don’t need the sleuthing skills of Dick Tracy to fit those pieces together. 

Indeed, the Erie Philharmonic’s tribute to Danny Elfman didn’t appear on the schedule out of nowhere – this is Halloween, after all. Elfman was Samhain-in-the membrane long before befriending Burton in the mid-80s, dating back to his days as the mastermind behind the New Wave collective Oingo Boingo. Elfman studied theater and orchestration in France during the ’70s and drew extensively on those experiences as he crafted the band’s unique sound – outwardly fun, multilayered pop songs with often dark and/or disturbing lyrical undercurrents. That is, his music parallels the spirit of All Hallow’s Eve itself – lighthearted on the surface with some seriously sinister underpinnings.

Burton has likewise shown a penchant for the endearingly creepy over the years, as the chill of his Gothic settings are often undercut by a warming sense of humor. Scores to early Burton films Beetlejuice (1988), Batman (1989), Edward Scissorhands (1990), and The Nightmare Before Christmas (1993) helped to elevate Elfman to one of the most coveted composers in all of showbiz, to such a point he was forced to abandon Oingo Boingo in 1995. Since then, he has scored cult classics (Mars Attacks!) and blockbusters (Spider-Man) alike, demonstrating an uncanny ability to make many a fantasy hum to reality. Just ask the Simpsons or any other healthily yellow-skinned (not jaundiced) Springfield resident. 

The time has come for Erie residents to receive the same treatment. So leave your body and soul at the door – or maybe your jacket in coat check – this should prove the best Dead Man’s Party a living man could ever ask for. – Matt Swanseger

8 p.m. // 811 State St. // eriephil.secure.force.com/ticket // 455.1375 // $35-$56

Erie Reader: Vol. 7, No. 23
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CURRENT

Grin and “bear” it in support of Pennsylvania’s Special Olympics

Extraordinary histories across canvases of skin

A conversation with former White House Chief of Staff Andy Card 

 

JazzErie will continue to please enthusiasts by hosting Bobby Selvaggio and Red Rhinoceros at the Erie Art Museum.

The acclaimed Broadway musical Kinky Boots is stepping up to Erie’s Warner Theatre.

IN THIS ISSUE

Extraordinary histories across canvases of skin

A conversation with former White House Chief of Staff Andy Card 

 

JazzErie will continue to please enthusiasts by hosting Bobby Selvaggio and Red Rhinoceros at the Erie Art Museum.

The acclaimed Broadway musical Kinky Boots is stepping up to Erie’s Warner Theatre.

 Flower Crown’s debut LP is an utterly gorgeous piece.

Restoring the stories of women who matter 

 

A conversation with journalist Philip Rucker 

Harrisburg does good

Suburbicon spends too much time winking at its own cleverness to be an entertaining story.

On November 15th, Teddy Rankin will be performing with his father, Glenn, at The Colony.

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