Mitski // Be The Cowboy
New album is widely rewarding lyrically with a sophisticated touch of electronic
Mitski
Be The Cowboy
Dead Oceans
She did it again. With a remarkable streak of three absolutely brilliant albums since 2014's Bury Me at Makeout Creek, Mitski Miyawaki deserves to be virtually without peer in the indie world. Not unlike this year's Masseduction by St. Vincent (one of her few equals), Be The Cowboy employs a much more explicit touch of electronic music. It's a natural evolution, a proper reinvention without really being a reinvention. It's powerful. The album is of course, emotionally wrenching and soul-crushingly affective, but with a fearless ownership that almost weaponizes emotion. Moving on from the masterpiece of Puberty 2, the lyrical content is less voyeuristically personal and touches on wider themes, while still being densely rewarding. Tonally, there's a winking sense of humor in having a country song "Lonesome Love" (it is called Be The Cowboy after all) and a Broadway-ready disco song that could even be a mainstream hit in "Nobody." From the eerie ringing meditation of "Geyser" to the moving finale of "Two Slow Dancers," the album will effectively wreck you. Mitski is a gift, a transcendentally genius artist whose music, for the right people, will be extremely important. — Nick Warren
